It was suggested by Chinese writer Qian Zhongshu that it is window that makes an interior life possible. 'We can go out because there is a door; but we don't have to go out because there is a window'
The balance of the room would be distracted if the light come into rooms with no control, like the Farnsworth House designed by Mies Van der Rohe for the female doctor , although it is still influential in the modern architecture, the full glass walls made the space outdoor too irresistible that the purpose of domestic housing is lost.
Compartment C, Car 293 (Edward Hopper, 1938) Image: Geoffrey Clements, Corbis.
Edward Hopper (American, 1882-1967) Morning in a city, 1944, oil on canvas
Edward Hopper (American, 1882-1967) Morning in a city, 1944, oil on canvas
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Oppositely!
Louis Kahn's architecture are cautious in letting the light in, the light serves the purpose of the building, like the Salk institute. The placing of the window are carefully selected and illuminate the heavy masonry wall in a soft tone.
I was wondering how the building should be like, do we really need to be chasing the intensive visual convulsion? Most of the time, architecture would rather to be like water or air, simple but subsisting the ongoing life....
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